Harlem Renaiss. Aesthetics of Subjectivi

The objective of the course is to show that the orchestrators of the Harlem Renaissance intended to delineate aesthetic paradigms for African Americans to frame their subjective experiences. And that the orchestrators envisioned the Renaissance project through the formulation of standards for fiction, poetry, drama, music, and art that are cohesive with the socio-cultural experiences of African Americans during the first half of the 20th century. In the course, we will read the essays of Alain Locke, Jean Toomer, Zora Neale Hurston, Countee Cullen, Langston Hughes, and WEB DuBois. These essays were the media for the writers to present the aesthetic achievements of their time, while simultaneously promoting the ideals that fiction, poetry, drama, music, and art ought to follow. Close reading of the essays and class discussions will show how the Harlem Renaissance elaborated the criteria that African Americans may follow to derive meaning from their subjective experiences. Moreover, that the Harlem Renaissance shaped African American consciousness by providing the suitable aesthetic compass to understand its relation to the social and cultural institutions. Finally, the course explores how the Harlem Renaissance sought to define both, the aesthetic autonomy and distinctiveness of African Americans.