Frankenstein and Its Vicissitudes

Overview: This class will carefully and searchingly read Mary Shelley’s 1818 Frankenstein as well as her 1831 revision, using those two texts as the seeds for a much larger investigation about what the Frankenstein paradigm brought to later American literary and cinematic culture. We’ll look at how Mary Shelley developed the genre of science fiction from nothing, wrote the first recognizable book of horror in the English cannon, pioneering literary philosophical writing in the absence of a clear hero, and used her novel as a mechanism for thinking about reproductive violence, domestic abuse, and the social problem of male loneliness. From there, we’ll examine the Frankenfilms of the 20th and 21st century—many of which are excellent, but many of which are downright offensive—to think about what Shelley’s literary and philosophical paradigm contributed to Anglo-American cinematic discourse about patriarchy, power, sex, class, God, reproduction, fascism, and feminism