Composing for Pierrot Ens
Part of MUSI 3239 Undergraduate Composition
10:10am–11:25am
DODGE BUILDING DOD 620
Morningside
Seat data provenance: Directory as of August 23, 2026 at 4:00 AM
Description
This course provides an immersive experience in music composition, focusing on both practical and theoretical aspects within a given instrumentation. Please refer to the topic for the instrumentation for this semester’s course. This class is open to students with no prior experience in composition. Students of varying music backgrounds are welcome. Permission of the instructor may be required for enrollment. The class will explore a variety of compositional approaches, including traditional, experimental, and interdisciplinary methods. During the semester, students will complete several creative and theoretical exercises ranging from short composition projects to analytical responses to diverse works. Students will also engage in individual and group feedback sessions as well as in-class readings of selected compositional projects by the performers. The final project will be an original work between 5 and 7 minutes, which will be workshopped, rehearsed, performed in a public concert, and recorded by professional musicians towards the end of the term
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Instructor quality
n=2, 2024–2025
Aggregated across every course Zosha Di Castri has taught.
Teaching quality
2.0 / 5
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Overall sentiment
Positive
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Where it meets
Flat map — motion reduced
Workload and grading
- Grading
- Not published
- Format
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- Credits
- 3 credits
Reported workload
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