The Protest Novel or Books that Chan

This course asks a simple question: what kind of action (political, social, instrumental) can a novel take? In the seminar, we will consider the tradition of protest fiction— or what we might call Books that Change the World— taking stock of how the novel has embraced the overt aim of creating change. Our goal as a class will be to set our own terms for what a protest novel is, was, should be, or might be, and to consider both the reach and limitations of this tradition. The terrain is broad, covering works from the beginning of the 20th century to the present, with a center of gravity in the early-mid 20th century, and engaging a range of topics on which novels have sought to make change. The course is organized thematically and chronologically, with works (mostly English language) from the U.S., England, Ireland, Canada, India, Nigeria, and elsewhere. Each week we will read a novel, occasionally paired with other materials, such as visual works, other literary materials, theoretical readings, etc. Themes to which these activist works are geared include: slavery and abolition; working conditions; sexuality, gender and patriarchy; war, peace, and revolution; race and racism; incarceration; and environmental crisis. This is a discussion seminar, and each student is expected to participate in every class meeting